Behringer Eurorack Ub1002 Mixer User Manual

8-input 2-bus mixer. EURORACK UB Music Mixer pdf manual download. EURORACK UB Music Mixer Behringer EURORACK UB User Manual. (Check out for Full Manual). Quick Start Guide. EURORACK. UB/UB Ultra-Low Noise Design 12/Input 2-Bus Mic/Line Mixer. Version January ENGLISH. EURORACK. UB VERSION January ULTRA-LOW NOISE DESIGN 8-INPUT 2-BUS MIXER. Ultra-Low Noise ULN Conceived and designed by BEHRINGER Germany. = Power supply.

Jul 09, 2019 Behringer UB1202/UB1002 user manual. Page 12 We Hear You BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. 20 Most Recent Behringer UB Eurorack UB Mixer Questions & Answers – Fixya. View and Download Behringer Eurorack UB1002 user manual online. 10/12/6-input, 2-bus mic/line mixer. Eurorack UB1002 Music Mixer pdf manual download. Behringer EURORACK MXB1002 Manuals & User Guides. User Manuals, Guides and Specifications for your Behringer EURORACK MXB1002 Music Mixer. Database contains 3 Behringer EURORACK MXB1002 Manuals (available for free online viewing or downloading in PDF): Technical specifications, Operation & user’s manual.

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I have got the mixer without power adapter and now looking for solution on how to get it to work.

May 5, at 7: If you call behrknger customer service department for assistance, this number makes it easier for us to answer any questions you have about products, services or purchases. July 16, at 2: There are many variations of power supplies out there, some say 3V, others leave it off, some say 13W 3.

The email address entered is already associated to an account.

July 20, at 3: October 4, at Check the 5 volts to the FX unit, If the voltage is low, the FX processor will keep reseting generating clicks, In a different product, the 5 volt filter cap was degraded and voltage dipped down to 4. Perfect fit for my Needs Overall: Do I have to disconnect the bridge rectifier? There is also an effective, extremely musical 3-band EQ on all channels. Best thing about this new service is that you are never placed on hold and get to talk to real repairmen in the US.

My guess is the other two pins are for the phantom supply.

Behringer UB Eurorack 8 Input Mixer | zZounds

October 16, at 4: Is it my computer’s audio jack t Sounds like the output cable from the is not correctly pinned to your input on the computer. This entry was posted in Uncategorized. Hi Mark Atherton, Thank you for the respond. Note that at full gains, there often is a tiny bit of noise, usually hiss. Perhaps it is better not to use the Behringer OEM power supply…. Hellow, Can someone help me with the connection of the 3 wires comming out of the power unit for the fx?.

He has personally selected each and every individual component, all with the goal of squeezing the very most out of every single one mnaual them.

Behringer Audio Mixer UB1202/UB1002 User Manual

Behringer Eurorack Ub1202 Manual

I used only two wires, one for positive, other for negative. May 3, at 6: The illustrations activates the phantom power supply on the XLR connectors of all mono channels.

A temporary customer reference number is assigned to each customer only while they are shopping on zZounds. So my nanual is that there is a circuit which creates the phantom power that accounts for almost all of the heat generated by these little mixers. Hi, you didn’t say if the mic actually passes sound? Login to post Please use English characters only.

If that’s no help, what happens if you disconnect the mic, then turn the levels back up? Eurprack 12, at 1: Your post was very informidable and very helpful. Will it be damaged, or suck up my current from my battery?

Behringer Eurorack Ub1002 Mixer User Manual Download

Thanks for the post.

Thank you for post. The result of perfect design.

This unit is Rock solid too, when it was shipped it was in a Box way too big for it, so it was banged around. Hi Guys, if the pins have broken in the connector of your mains adaptor and your good dont have to that good with a soldering iron use a pair of nail clippers and slowly cut the outer sheath of the connector then get a pair of pliers and pull the steel sleeve leaving you with and other black sleeve to cut LEAVE THE PIN CONNECTER INTACT you need that to see where the wires solder just cut along the bottom plastic sleeve and cut it not to deep at a time and use your finger nails to prise it apart ,keep cutting not to deep and trying to prise it apart finally there might be a bit if tape covering the wire unwind the tape an you should be left with the tiny top piece where the broken pins are and you should be able to see where the wires solder to what pins.

LEGAL DISCLAIMER

TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND

SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED

UNDERTAKING OR REPRESENTATION. THIS MANUAL

IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL,

INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD.

Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands

LIMITED WARRANTY

§ 1 Warranty

(1)This limited warranty is valid only if you purchased the product from a MUSIC Group Authorized Reseller in the country of purchase. A list of authorized resellers can be found on BEHRINGER’s website behringer.com under “Where to Buy”, or you can contact the MUSIC Group office closest to you.

(2)MUSIC Group* warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one (1) year from

the original date of purchase (see the Limited Warranty terms in § 4 below), unless a longer minimum warranty period is mandated by applicable local laws. If the product shows any defects within the specified warranty period and that defect is not excluded under § 4, MUSIC Group shall, at its discretion, either replace or repair the product using suitable new or reconditioned product or parts.

In case MUSIC Group decides to replace the entire product, this limited warranty shall apply to the replacement product for the remaining initial warranty period, i.e., one (1) year (or otherwise applicable minimum warranty period) from the date of purchase of the original product.

(3)Upon validation of the warranty claim, the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group.

(4)Warranty claims other than those indicated above are expressly excluded.

PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE.

§ 2 Online registration

Please do remember to register your new BEHRINGER equipment right after your purchase at behringer.com under“Support” and kindly read the terms and conditions of our limited warranty carefully. Registering your purchase and equipment with us helps us process

your repair claims quicker and more efficiently. Thank you for your cooperation!

§ 3 Return materials authorization

(1) To obtain warranty service, please contact the retailer from whom the equipment was purchased. Should your MUSIC Group Authorized Reseller not be located in your vicinity, you may contact the MUSIC Group Authorized Fulfiller for your country listed under

“Support” at behringer.com. If your country is not listed, please check if your problem can be dealt with by our“Online Support” which may also be found under

“Support” at behringer.com. Alternatively, please submit an online warranty claim at behringer.com BEFORE returning the product. All inquiries must be accompanied by a description of the problem and the serial number

of the product. After verifying the product’s warranty eligibility with the original sales receipt, MUSIC Group will then issue a Return Materials Authorization (“RMA”) number.

(2)Subsequently, the product must be returned in its original shipping carton, together with the return authorization number to the address indicated by MUSIC Group.

(3)Shipments without freight prepaid will not

be accepted.

§ 4 Warranty Exclusions

(1)This limited warranty does not cover consumable parts including, but not limited to, fuses and batteries. Where applicable, MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety (90) days from date of purchase.

(2)This limited warranty does not cover the product if it has been electronically or mechanically modified in any way. If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level, in any country which is not the country for which the product was originally developed and manufactured, this modification/adaptation shall not be considered a

defect in materials or workmanship. This limited warranty does not cover any such modification/adaptation, regardless of whether it was carried out properly or not. Under the terms of this limited warranty, MUSIC Group shall not be held responsible for any cost resulting from such a modification/adaptation.

(3)This limited warranty covers only the product hardware. It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product. Any such software is provided“AS IS” unless expressly provided for in any enclosed software limited warranty.

(4)This limited warranty is invalid if the

factory-applied serial number has been altered or removed from the product.

(5)Free inspections and maintenance/repair work are expressly excluded from this limited warranty, in particular, if caused by improper handling of the

product by the user. This also applies to defects caused by normal wear and tear, in particular, of faders, crossfaders, potentiometers, keys/buttons, guitar strings, illuminants and similar parts.

(6)Damage/defects caused by the following conditions are not covered by this limited warranty:

•improper handling, neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals;

•connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used;

•damage/defects caused by acts of God/Nature (accident, fire, flood, etc) or any other condition that is beyond the control of MUSIC Group.

(7)Any repair or opening of the unit carried out by unauthorized personnel (user included) will void the limited warranty.

(8)If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty, the inspection costs are payable by the customer.

(9)Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer’s expense. MUSIC Group or its authorized service center will inform the buyer of any such circumstance. If the buyer fails to submit a written repair order within 6 weeks after notification, MUSIC Group will return the unit C.O.D. with a separate invoice for freight and packing. Such costs will also be invoiced separately when the buyer has sent in a written repair order.

(10)MUSIC Group Authorized Resellers do not sell new products directly in online auctions. Purchases made through an online auction are on a“buyer beware” basis. Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction.

§ 5 Warranty transferability

This limited warranty is extended exclusively to the original buyer (customer of authorized reseller) and is not transferable to anyone who may subsequently purchase this product. No other person (reseller, etc.) shall be entitled to give any warranty promise on behalf of MUSIC Group.

§ 6 Claim for damage

Subject only to the operation of mandatory applicable local laws, MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect

loss or damage of any kind. In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product.

§ 7 Limitation of liability

This limited warranty is the complete and exclusive warranty between you and MUSIC Group. It supersedes all other written or oral communications related to this product. MUSIC Group provides no other warranties for this product.

§ 8 Other warranty rights and national law

(1)This limited warranty does not exclude or limit the buyer’s statutory rights as a consumer in any way.

(2)The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws.

(3) This warranty does not detract from the seller’s obligations in regard to any lack of conformity of the product and any hidden defect.

§ 9 Amendment

Warranty service conditions are subject to change without notice. For the latest warranty terms and conditions

and additional information regarding MUSIC Group’s limited warranty, please see complete details online at behringer.com.

* MUSIC Group Macao Commercial Offshore Limited of

Rue de Pequim No. 202-A, Macau Finance Centre 9/J, Macau, including all MUSIC Group companies

5EURORACK UB1202/UB1002/UB802/UB502 User Manual

1.Introduction

Congratulations! In purchasing our EURORACK UB502/UB802/UB1002/UB1202 you have acquired a mixing console whose small size belies its incredible versatility and audio performance.

The range of inputs and outputs comprises microphone inputs (with +48 V phantom power supply), line inputs, possibilities for connecting effects devices, connectors for a 2-track master machine (e.g. DAT recorder) and a monitor system consisting of monitor loudspeaker(s) and power amplifier (except for UB502).

IMP “Invisible” mic preamp

The microphone channels are fitted with BEHRINGER’s brand new premium quality IMP invisible mic preamps that boast the following features:

• 130 dB dynamic range for an incredible amount of headroom

• A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear reproduction of even the finest nuances

• The extremely low-noise and distortionfree circuitry guarantees absolutely natural and transparent signal reproduction

• hey are perfectly matched to every conceivable microphone with up to 60 dB gain and +48 volt phantom power supply

• They enable full utilisation of the greatly extended dynamic range of your 24-bit/192 kHz HD recorder, thereby maintaining optimal audio quality

CAUTION!

◊We should like to draw your attention to the fact that extreme volumes may damage your hearing and/or your headphones or loudspeakers. Turn the MAIN MIX control and PHONES control in the main section fully counter-clockwise before you switch on the unit. Always be careful to set appropriate volume levels.

Important notes concerning installation

◊The sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for all connections.

1.1 General mixing console functions

A mixing console fulfils three main functions:

• Signal processing: Preamplification, level adjustment, mixing of effects, frequency equalization

• Signal distribution: Summing of signals to the aux sends for effects processing and monitor mix, distribution to one or several recording tracks, power amp(s), control room and 2-track outputs

• Mix: Setting the volume level, frequency distribution and positioning of the individual signals in the stereo field, level control of the total mix to match the recording devices/crossover/power amplifier(s). All other mixer functions can be included in this main function

The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the controls, as well as detailed information on how to use them. In order to help you understand the links between the controls, we have arranged them in groups according to their function. The illustrations at the beginning of each chapter show the controls described in each respective chapter.

◊The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs, as well as the associated switches and controls.

For the moment, just try and trace the signal path from the microphone input to the FX send connector. Don’t be put off by the huge range of possibilities; it’s easier than you think! If you look at the overview of the controls at the same time, you’ll be able to quickly familiarize yourself with your mixing console and you’ll soon be making the most of all its many possibilities.

If you need to know more about specific issues, please visit our website at http://behringer.com, where you’ll find explanations of (for example) effects and dynamics applications.

1.3 Before you get started

1.3.1 Shipment

Your mixing console was carefully packed in the factory to guarantee safe transport. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit.

◊If the unit is damaged, please do NOT return it to us, but notify your dealer and the shipping company immediately, otherwise claims for damage or replacement may not be granted.

1.3.2 Initial operation

Be sure that there is enough space around the unit for cooling purposes and to avoid over-heating please do not place your mixing console on high-temperature devices such as radiators or power amps. The console is connected to the

mains via the supplied cable. The console meets the required safety standards. Blown fuses must only be replaced by fuses of the same type and rating.

◊Never connect the EURORACK to the power supply unit when the latter is connected to the mains! First connect the power supply unit to the console, then connect the power supply unit to the mains.

◊Please note that all units must be properly grounded. For your own safety, you should never remove any ground connectors from electrical devices or power cables, or render them inoperative.

◊Please ensure that only qualified people install and operate the mixing console. During installation and operation, the user must have sufficient electrical contact to earth, otherwise electrostatic discharges might affect the operation of the unit.

1.3.3 Online registration

Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully.

Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact

one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (http://behringer.com).

Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently.

Thank you for your cooperation!

6EURORACK UB1202/UB1002/UB802/UB502 User Manual

2.Control Elements and Connectors

This chapter describes the various control elements of your mixing console. All controls, switches and connectors will be discussed in detail.

2.1 Mono channels

2.1.1 Microphone and line inputs

The upper (HI) and the lower band (LO) are shelving filters that increase or decrease all frequencies above or below their cut-off frequency. The cut-off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively. The mid band (UB802/UB1002/ UB1202) is configured as a peak filter with a center frequency of 2.5 kHz.

LOW CUT

In addition, the mono channels (UB1002 and UB1202) are equipped with a steep LO CUT filter (slope at 18 dB/oct., -3 dB at 75 Hz) designed to eliminate unwanted low-frequency signal components.

2.1.3 FX sends, panorama and level adjustment

Fig. 2.1: Connectors and controls of mic/line inputs

MIC

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Each mono input channel offers a balanced microphone input via the XLR connector and also features a switchable +48 V phantom power supply for condenser microphones.

◊Please mute your playback system before you activate the phantom power supply to prevent switch-on thumps being directed to your loudspeakers. Please also note the instructions in chapter 2.3.5 “Phantom power and LED displays”.

LINE IN

Each mono input also features a balanced line input on a 1/4' connector. Unbalanced devices (mono jacks) can also be connected to these inputs.

◊Please remember that you can only use either the microphone or the line input of a channel at any one time. You can never use both simultaneously!

GAIN

Use the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.

https://nindatabase.netlify.app/nikon-coolpix-a-manual-download.html. 2.1.2 Equalizer

All mono input channels include a 3-band equalizer, except for the UB502,

which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. In the central position, the equalizer is inactive.

Fig. 2.3: The FX send/panorama/level controls

FX (UB802/UB1002/UB1202 only)

FX sends (or AUX sends) enable you to feed signals via a variable control from one or more channels and sum these signals to a bus. The bus appears at the console’s FX send output and can be fed from there to an external effects device. The return from the effects unit is then brought back into the console on the aux return connectors (UB802) or normal channel inputs. Each FX send is mono and features up to +15 dB gain.

As the name suggests, the FX sends of the EURORACK mixing consoles are intended to drive effects devices (reverb, delay, etc) and are therefore configured post-fader. This means that the mix between dry signal and effect remains at the level determined by the channel’s aux send, irrespective of the channel fader setting. If this were not the case, the effects signal of the channel would remain audible even when the fader is lowered to zero.

PAN

The PAN control determines the position of the channel signal within the stereo image. This control features a constant-power characteristic, which means the signal is always maintained at a constant level, irrespective of position in the stereo panorama.

LEVEL

The LEVEL control determines the level of the channel signal in the main mix.

CLIP

The CLIP LED’s of the mono channels illuminate when the input signal is driven too high, which could cause distortion. If this happens, use the GAIN control to reduce the preamp level until the LED does not light anymore.

Fig. 2.2: The equalizer of the mono input channels

7EURORACK UB1202/UB1002/UB802/UB502 User Manual

2.2Stereo channels

2.2.1 Stereo line inputs

Fig. 2.4: Stereo line inputs

LINE IN

Each stereo channel has two balanced line level inputs on 1/4' jacks for left and right channels. If only the jack marked “L” (left) is used, the channel operates in mono. The stereo channels are designed to handle typical line level signals.

Both inputs will also accept unbalanced jacks.

2.2.2 Equalizer stereo channels (UB802)

The EURORACK UB802 features a stereo 3-band EQ in each stereo channel. The filter characteristics and cut-off frequencies are the same as those in the mono channels.

Fig. 2.5: The equalizer of the stereo input channels

A stereo EQ is highly preferable to two mono equalizers. when working on a stereo signal, as two separate EQ’s will usually produce an unwanted discrepancy between the left and right channels.

2.2.3 FX sends, balance and level adjustment

Fig. 2.6: The FX send/balance/level controls

The FX sends of the stereo channels function similar to those of the mono channels. However, since the FX send buses are both mono, a mono sum is first taken from the stereo input before it is sent to the FX bus. The UB502 is not equipped with FX sends.

BAL

The BAL(ANCE) control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus. If a channel is operated in mono via the left line input, this control has the same function as the PAN control used in the mono channels.

LEVEL

The LEVEL control determines the volume of the channel being sent to the main mix.

+4/-10

The stereo inputs of the EURORACK UB1002 and UB1202 have an input sensitivity switch which selects between +4 dBu and -10 dBV. At -10 dBV (home-recording level), the input is more sensitive (requires less level to drive it) than at +4 dBu (studio level).

2.3 Connector panel and main section

2.3.1 Send/Return effects path

Fig. 2.7: FX send/return connectors

Fig. 2.8: FX send/return controls

STEREO AUX RETURN

UB802 only: the STEREO AUX RETURN connectors are used to bring the output of the external effects device (whose input is derived from the aux sends) back into the console. You can instead use these connectors as additional inputs, but any effects device will then have to be brought back into the console via a normal stereo channel. This does, however, give you the ability to use the channel EQ on the effects return signal if you wish.

◊When using a stereo channel as effects return path, the FX control of the relevant channel should generally be turned fully down to avoid undesirable feedback.

If only the left connector is used, the AUX RETURN automatically operates in mono. Use the AUX RET(URN) control to determine how much of the effects signal is sent to the main mix.

FX SEND

The FX SEND output (does not apply for UB502) should be connected to the input of an external effects unit. The post-fader FX signal you created using the input channel FX controls is sent to the effects unit via the FX SEND ouput. Use the

FX SEND control of the main section to adjust the overall send level (UB1002 and UB1202 only).

8EURORACK UB1202/UB1002/UB802/UB502 User Manual

2.3.2Monitor and main mix

Fig. 2.9: Monitor/main mix connectors

Fig. 2.10: Monitor control and main mix fader

PHONES/CONTROL ROOM

The stereo PHONES jack (at the top of the connector panel) is where you connect headphones. The unbalanced CONTROL ROOM OUT jacks carry the summed effects and main mix signals, as well as soloed channel signals.

The PHONES/CONTROL ROOM control adjusts the level of both headphones and main monitor outputs. The UB502 is not equipped with control room outputs.

MAIN MIX

The MAIN OUT connectors are unbalanced mono jacks. The main mix signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of these outputs. The EURORACK UB802 and UB502 mixing consoles feature a rotary control for this purpose.

2.3.3 Tape connectors

TAPE INPUT

The TAPE INPUTs are used to bring an external signal source (e.g. CD player, tape deck, etc.) into the console. They can also be used as a standard stereo line

input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 can be connected.

Fig. 2.11: Tape input/output

Alternatively the line or tape output of a hi-fi amplifier with source selection switch could also be hooked up here, allowing you to easily listen to additional sources.

TAPE OUTPUT

These connectors are wired in parallel with the MAIN OUT and carry the main mix signal (unbalanced). Connect the TAPE OUTPUT to the inputs of your recording device. The output level is adjusted via the high-precision MAIN MIX fader or rotary control (UB802).

2.3.4 Signal assignment

Fig. 2.12: Assignment switches of the main section

TAPE TO MIX

When the TAPE TO MIX switch is depressed, the 2-track input is assigned to the main mix providing an additional input for tape machines, MIDI instruments or other signal sources that do not require any processing.

TAPE TO CTRL ROOM (502: TAPE TO PHONES)

Press the TAPE TO CTRL ROOM/PHONES switch if you want to monitor the 2-track input via the CTRL ROOM OUT. This provides an easy way to monitor signals coming back from tape to ensure that they are recording correctly.

◊If you are recording a signal via the TAPE OUTPUT and wish to listen to this simultaneously via the TAPE INPUT, do not use the TAPE TO MIX switch. Doing this would create a feedback loop, since the signal would be routed, via the main mix, back to tape via the TAPE OUTPUT.

To monitor the TAPE INPUT, use the TAPE TO CTRL ROOM switch to assign the tape signal to the monitor(s) or headphones. This will avoid the tape signal being routed to the TAPE OUTPUT.

FX TO CTRL ROOM

If you want to monitor only the FX send signal in your headphones or monitor speaker(s), press the FX TO CTRL R switch. This mutes the main mix signal while routing the FX SEND output to the monitor(s). The EURORACK UB802 and UB502 do not feature this switch.

2.3.5 Phantom power and LED displays

Fig. 2.13: Phantom power and control LEDs

9 EURORACK UB1202/UB1002/UB802/UB502 User Manual

+48 V

The red +48 V LED lights up when phantom power is on. The PHANTOM switch activates the phantom power supply on the XLR connectors of all mono channels.

◊Please do not connect microphones to the mixer (or the stagebox/wallbox) as long as the phantom power supply is switched on. Connect the micro-phones before you switch on the power supply. In addition, the monitor/PA loudspeakers should be

muted before you activate the phantom power supply. After switching on, wait approx. one minute in order to allow system stabilization.

POWER

The blue POWER LED indicates that the console is powered on.

Level indicator

The high-precision 4-segment display accurately displays the relevant signal level.

LEVEL SETTING: To correctly set the gains of the channels, first set the LEVEL controls of the input channels to their center positions (0 dB). Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter.

When recording to digital recorders, the recorder’s peak meter should not go into overload. While analog recorders can be overloaded to some extent, creating only a certain amount of distortion (which is common and often desirable), digital recorders distort quickly when overloaded. In addition, digital distortion is not only undesirable, but also renders your recording completely useless.

◊The peak meters of your EURORACK display the level virtually independent of frequency. A recording level of 0 dB is recommended for all signal types.

Behringer Eurorack Ub502

3. Installation

3.1 Mains connection

AC POWER IN

Connect the power supply to the 3-pin mains connector on the rear of the console. Use the AC adapter supplied to connect the console to the mains. The adapter complies with all applicable safety standards.

◊Please use only the power supply unit provided with the console.

◊Never connect the EURORACK to the power supply unit while the latter is connected to the mains! First connect the console to the power supply unit, then connect the power supply unit to the mains.

◊Please note that both the power supply unit and the mixing console heat up considerably during operation. This is completely normal.

3.2 Audio connections

You will need a large number of cables for different applications. The illustrations below show how the connectors should be wired. Be sure to use only high-grade cables.

Please use commercial RCA cables to connect the 2-track inputs and outputs.

You can, of course, also connect unbalanced devices to the balanced inputs/outputs. To do this, use either mono plugs or stereo plugs with the ring and sleeve bridged (pins 1 and 3 in the case of XLR connectors).

◊Caution! Never use unbalanced XLR connectors (PIN 1 and 3 connected) on the MIC input connectors when using the phantom power supply.

Fig. 3.1: XLR connections

Fig. 3.2: 1/4' mono plug

10 EURORACK UB1202/UB1002/UB802/UB502 User Manual

Fig. 3.3: 1/4' stereo plug

Fig. 3.4: Stereo plug for headphones connection

4. Specifications

Mono Inputs

Microphone Inputs (IMP “Invisible” Mic Preamp)

Type	XLR connector, electronically balanced,
discrete input circuit
Mic E.I.N.1 (20 Hz - 20 kHz)
@ 0 Ω source resistance	-134 dB / 135.7 dB A-weighted
@ 50 Ω source resistance	-131 dB / 133.3 dB A-weighted
@ 150 Ω source resistance	-129 dB / 130.5 dB A-weighted
Frequency Response
<10 Hz - 150 kHz	-1 dB
<10 Hz - 200 kHz	-3 dB
Gain range	+10 dB to +60 dB
Max. input level	+12 dBu @ +10 dB GAIN
Impedance	approx. 2.6 kΩ balanced
Signal-to-noise ratio	110 dB / 112 dB A-weighted
(0 dBu In @ +22 dB GAIN)
Distortion (THD + N)	0.005% / 0.004% A-weighted
Line Input
Type	1/4' TRS jack, electronically balanced Download current and previous versions of Apple's iOS, iPadOS, watchOS, tvOS and audioOS firmware and receive notifications when new firmwares are released. Sep 16, 2015 ‎Here's everything you need to know about iPad, in a handy digital format. Get to know iPad and discover all the amazing things it can do, and how to do them. It's the definitive guide for getting the most from your new iPad, straight from Apple. The iPad User Guide is an essential part of an. Jun 16, 2019 Most iPad users are now on iOS 9, so if you are unsure of your version, download the iOS 9 manual. These manuals are geared more towards the operating system than the actual device. If you haven't updated the operating system, find your iPad in the. Manual download 9.3.5 ipad mini. Global Nav Open Menu Global Nav Close Menu; Apple; Shopping Bag.
Impedance	approx. 20 kΩ balanced,
approx. 10 kΩ unbalanced
Gain range	-10 dB to +40 dB
Max. input level	+22 dBu @ 0 dB GAIN
Fade-Out Attenuation2 (Crosstalk Attenuation)
Main fader closed	90 dB
Channel muted	89.5 dB
Channel fader muted	89 dB
Frequency Response (Mic In		Main Out)
Frequency Response (Mic In		Main Out)	<10 Hz - 90 kHz	+0 dB / -1 dB
<10 Hz - 160 kHz	+0 dB / -3 dB
Stereo Inputs
Type	1/4' TRS jack, electronically balanced
Impedance	approx. 20 kΩ
Max. input level	+22 dBu

11 EURORACK UB1202/UB1002/UB802/UB502 User Manual

Equalizer

EQ Mono Channels

LOW	80 Hz / ±15 dB
MID	2.5 kHz / ±15 dB
HIGH	12 kHz / ±15 dB
EQ Stereo Channels
LOW	80 Hz / ±15 dB
MID	2.5 kHz / ±15 dB
HIGH	12 kHz / ±15 dB
Send / Return
Aux Sends
Type	1/4' TS jack, unbalanced
Impedance	approx. 120 Ω
Max. output level	+22 dBu
Stereo Aux Returns
Type	1/4' TRS jack, electronically balanced
Impedance	approx. 20 kΩ balanced /
approx. 10 kΩ unbalanced
Max. input level	+22 dBu
Outputs
Main Outputs
Type	1/4' TRS jack, unbalanced
Impedance	approx. 120 Ω unbalanced
Max. output level	+22 dBu
Control Room Outputs
Type	1/4' TS jack, unbalanced
Impedance	approx. 120 Ω
Max. output level	+22 dBu
Headphones Output
Type	1/4' TRS jack, unbalanced
Max. output level	+19 dBu / 150 Ω (+25 dBm)
Main Mix System Data3 (Noise)
Main mix @ -∞,	-106 dB / -109 dB A-weighted View and Download Pontiac 2008 G6 owner's manual online. 2008 G6 Automobile pdf manual download. https://nindatabase.netlify.app/2008-pontiac-g6-chilton-manual-download.html. Pontiac G6 Repair Manual Online. Pontiac G6 repair manuals are available at the click of a mouse! Chilton’s Pontiac G6 online manuals provide information for your car’s diagnostics, do-it-yourself repairs, and general maintenance. Chilton's Pontiac G6 repair manuals include diagrams, photos, and instructions you need to assist you in do-it-yourself G6 repairs.
channel fader @ -∞
Main mix @ 0 dB,	-95 dB / -98 dB A-weighted
channel fader @ -∞
Main mix @ 0 dB,	-84 dB / -87 dB A-weighted
channel fader @ 0 dB

Power Supply

Power Consumption

UB1202:	23 W
UB1002:	18 W
UB802:	17 W
UB502:	13 W
Mains Voltage
USA/Canada	120 V~, 60 Hz, MXUL5 adapter
U.K./Australia	240 V~, 50 Hz, MXUK5 adapter
Europe	230 V~, 50 Hz, MXEU5 adapter
Japan	100 V~, 60 Hz, MXJP5 adapter
Physical / Weight
UB1202
Dimensions (H x W x D)	approx. 1 5/6 x 8 2/3 x 9 1/2'
approx. 47 x 220 x 242 mm
Weight (net)	approx. 4.73 lbs / 2.15 kg
UB1002
Dimensions (H x W x D)	approx. 1 5/6 x 7 2/5 x 8 2/3'
approx. 47 x 189 x 220 mm
Weight (net)	approx. 3.96 lbs / 1.80 kg
UB802
Dimensions (H x W x D)	approx. 1 5/6 x 7 2/5 x 8 2/3'
approx. 47 x 189 x 220 mm
Weight (net)	approx. 3.54 lbs / 1.61 kg
UB502
Dimensions (H x W x D)	approx. 1 5/6 x 5 1/4 x 7'
approx. 47 x 134 x 177 mm
Weight (net)	approx. 2.53 lbs / 1.15 kg

1 Equivalent Input Noise

2 Measuring conditions: 1 kHz rel. to 0 dBu; 20 Hz - 20 kHz; line input; main output; unity gain.

Behringer Eurorack Ub1002 Mixer User Manual Pdf

3 20 Hz - 20 kHz; measured at main output. Channels 1 - 4 unity gain; EQ flat; all channels on main mix; channels ¹⁄ as far left as possible; channels ²⁄ as far right as possible; reference = +6 dBu.

Behringer Eurorack Ub1002 Mixer User Manual 2016

BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.

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2	EURORACK UB1202/UB1002/UB802/UB502 User Manual
Table of Contents
Important Safety Instructions....................		3
Legal Disclaimer...............................		3
Limited Warranty..............................		3
1. Introduction................................		5
1.1 General mixing console functions.................	5
1.2 The user’s manual................................	5
1.3 Before you get started............................	5
2. Control Elements and Connectors..............		6
2.1 Mono channels...................................	6
2.2 Stereo channels..................................	7
2.3 Connector panel and main section...............	7
3. Installation.................................		9
3.1 Mains connection................................	9
3.2 Audio connections...............................	9
4. Specifications..............................		10

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